All Paggi, Giovanni Battista Oil Paintings

Italian Baroque Era Painter, 1554-1627 .Italian painter and theorist. As the son of a newly inscribed nobleman, he received a Renaissance gentleman's education, but as an artist he was it seems self-taught, despite the encouragement of Luca Cambiaso. The gentleman who then set up as a painter was obliged to give his work to patrons, sometimes expecting future remuneration; but when one patron reneged on payment in 1581, Paggi mortally wounded him and was banished from Genoa. He was given protection by Francesco I de' Medici, Grand Duke of Tuscany, and settled in Florence. A fresco of St Catherine Converting Two Criminals (1582), painted for Niccol? Gaddi's family chapel at S Maria Novella and thoroughly Florentine in manner, established Paggi's reputation at the Medici court. He painted ephemeral decorations, portraits (all untraced) and altarpieces for many Florentine churches and for the cathedrals of San Gimignano (c. 1590), Pistoia (1591-3) and Lucca (1597-8),
 

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Paggi, Giovanni Battista Madonna and Child with Saints and the Archangel Raphael oil on canvas


Madonna and Child with Saints and the Archangel Raphael
Madonna and Child with Saints and the Archangel Raphael
Painting ID::  19737
  Oil on canvas.
  Oil on canvas.

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Paggi, Giovanni Battista Madonna and Child with St.Anthony of Padua,Tobias,and the Archangel Ra-Phael oil on canvas


Madonna and Child with St.Anthony of Padua,Tobias,and the Archangel Ra-Phael
Madonna and Child with St.Anthony of Padua,Tobias,and the Archangel Ra-Phael
Painting ID::  29974
  mk67 Oil on canvas 143 11/16x82 1116in
  mk67 Oil on canvas 143 11/16x82 1116in

Height    Width


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     Paggi, Giovanni Battista
     Italian Baroque Era Painter, 1554-1627 .Italian painter and theorist. As the son of a newly inscribed nobleman, he received a Renaissance gentleman's education, but as an artist he was it seems self-taught, despite the encouragement of Luca Cambiaso. The gentleman who then set up as a painter was obliged to give his work to patrons, sometimes expecting future remuneration; but when one patron reneged on payment in 1581, Paggi mortally wounded him and was banished from Genoa. He was given protection by Francesco I de' Medici, Grand Duke of Tuscany, and settled in Florence. A fresco of St Catherine Converting Two Criminals (1582), painted for Niccol? Gaddi's family chapel at S Maria Novella and thoroughly Florentine in manner, established Paggi's reputation at the Medici court. He painted ephemeral decorations, portraits (all untraced) and altarpieces for many Florentine churches and for the cathedrals of San Gimignano (c. 1590), Pistoia (1591-3) and Lucca (1597-8),

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